All Posts Tagged With: "park city"

Sundancing 08: On Roman Polanski

I guess I’m a bit more of a feminist than I realize. I can recall several times this past year where I’ve posted about the topic because a film touched a nerve. Marina Zenovich’s film, Roman Polanski: Wanted and Desired, which premiered at last week

Sundance Documentary Prize Winners

Documentary Grand Jury Prize
TROUBLE THE WATER, directed by Tia Lessin and Carl Deal. An aspiring rap artist and her streetwise husband, armed with a video camera, show what survival means when they are trapped in New Orleans by deadly floodwaters, and seize a chance for a new beginning.

Special Jury Prize in Documentary
GREATEST SILENCE: RAPE IN THE CONGO, directed by Lisa F. Jackson, intimate look into the struggle of the lives of rape survivors.

Documentary World Cinema Jury Prize & World Cinema Audience Award
MAN ON WIRE/United Kingdom, directed by James Marsh. The film chronicles French artist Philippe Petit’s daring dance on a wire suspended between New York’s Twin Towers and his subsequent arrest for what would become known as “the artistic crime of the century.”

Documentary Audience Award
FIELDS OF FUEL, directed by Josh Tickell. A look at America’s addiction to oil, Tickell is a man with a plan and a Veggie Van, who is taking on big oil, big government, and big soy to find solutions in places few people have looked.

Documentary Directing Award
Nanette Burstein, director of AMERICAN TEEN, an irreverent cinema vérité which chronicles four seniors at an Indiana high school and yields a surprising snapshot of Midwestern life.

Documentary World Cinema Directing Award
Nino Kirtadze, director of DURAKOVO: VILLAGE OF FOOLS (DURAKOVO: LE VILLAGE DES FOUS)/ France. The film portrays life in a castle outside Moscow, where Mikhail Morozov rules autonomously over young initiates, laying the groundwork for a rapidly growing right-wing movement.

Documentary Editing Award

Joe Bini for his work on the film ROMAN POLANSKI: WANTED AND DESIRED. The documentary examines the public scandal and private tragedy which led to legendary director Roman Polanski’s sudden flight from the United States.

World Cinema Documentary Editing Award
Irena Dol for her work on THE ART STAR AND THE SUDANESE TWINS/New Zealand. The film profiles artist Vanessa Beecroft and how her obsession to adopt Sudanese twin orphans drives her marriage to a breaking point and fuels her controversial art.

Excellence in Documentary Cinematography Award
Phillip Hunt and Steven Sebring for their work on the film PATTI SMITH: DREAM OF LIFE, an intimate portrait of the poet, painter, musician and singer that mirrors the essence of the artist herself.

World Cinema Documentary Cinematography Award

al Massad for his work on RECYCLE /Jordan. A Jordanian family man living in the hometown of Muslim leader Abu Musa Al Zarqawi struggles to support his family and define his identity in a tense political climate.

Sundancing 08: Nerakhoon (The Betrayal)

The title of this film, while being hard to remember, is also a bit of a misnomer. There isn’t just one betrayal, there are many—husband to wife, man to country, father to son, nation to nation. The film itself is a feat of 23 years of work by cinematographer and director Ellen Kuras and the film’s primary subject Thavisouk Phrasavath (known as Thavi).

My First Sundance

Hit the ground running in last night, going to the Institute’s World Cinema party. What a rockin’ jam! Ran into Tim Sternberg and Francisco Bello who were just nominated for an Academy Award for their short Salim Baba, a beautiful film about a man who shows bits of film in a kind of portable light box in North Kolkata, and which is playing here. Here’s a little short video we made with Francisco’s mini-slate.

Ok, so maybe not Oscar worthy, but Salim Baba is. Best of luck to Tim and Francisco. I have an awesome clip of the DJ but alas YouTube and slow wireless are conspiring against me. More soon.

Round 2: Sundance World Cinema Docs

Here are the non-US documentaries in competition. Anyone want to take a stab at explaining why these are in a separate competition? I’m curious to the history of that choice. Also interesting to see screenwriters credits on these films. Why only on the non-US docs?

Films screening in Sundance Film Festival World Cinema Documentary Competition are:

ALONE IN FOUR WALLS (ALLEIN IN VIER WÄNDEN)/ Germany (Director and Screenwriter: Alexandra Westmeier) — Adolescent boys struggle to grow up in a home for delinquents in rural Russia where life behind bars may be better than the release to freedom. North American Premiere

THE ART STAR AND THE SUDANESE TWINS/ New Zealand (Director and Screenwriter: Pietra Brettkelly) — Vanessa Beecroft is obsessively determined to adopt Sudanese twin orphans. Her consuming passion drives her marriage to a breaking point and fuels her controversial art, raising troubling questions about exploitation, culture clash, and the imposition of the West on Africa. World Premiere

BE LIKE OTHERS/ United Kingdom (Director: Tanaz Eshaghian) — An intimate and unflinching look at life in Iran, seen through the lens of those living at its fringes, BE LIKE OTHERS is a provocative look at a generation of young Iranian men choosing to undergo sex change surgery. World Premiere

A COMPLETE HISTORY OF MY SEXUAL FAILURES/ United Kingdom (Director: Chris Waitt; Screenwriters: Chris Waitt and Henry Trotter)–Chris is a useless boyfriend. Determined to find out why, he consults his ex-girlfriends, medical practitioners, producers, and mother to find out how women really see him. Has this journey made him potential boyfriend material or is he staring a life of loneliness square in the face? World Premiere

DEREK/ United Kingdom (Director: Isaac Julien)— A film involving two courageous and innovative artists —one the subject and one the filmmaker —provides a cinematic journey that illuminates the work and enduring importance of the late Derek Jarman. World Premiere