All Posts Tagged With: "nyc"

Media That Matters Festival Announces Line-up

The 8th Annual Media That Matters Film Fest will kick off on May 28 with a screening of the winning at the IFC Center in . But, one of the beautiful things about this fest is that it is online and anyone can watch the films! Full line-up (ttile followed by award) after the jump.

Doxita Tonight in NYC

The lovely Karen Cirillo, formerly with Full Frame and now programming independently, has put together a fabulous fest of short docs, Doxita, that she is currently taking around the country.

Tonight is the premiere of the the show at the IFC Center, 7:45 PM, and it includes some can’t-miss films! Enjoy and report back! The line-up:

Vángelo Monzón (Argentina/Sweden, Andréas Lennartsson, 8 min.) - A visit with Vángelo Monzón who’s been making bricks in Argentina since he was a boy.

Shit and Chicks (The Netherlands, Kees van der Geest, 10 min. ) - A portrait of a traditional method of feeding chickens in Ghana, done with gentle restraint.

El Cerco (Spain, Ricardo Íscar/Nacho Martín, 16 min.) - A breathtaking look at tuna fishing in the Mediterranean sea where the fight is a ritual of blood and death.

Cross your Eyes, Keep them Wide (USA, Ben Wu, 23 min.) - An invitation into the San Francisco “Creativity Explored,” a work space for artists with development disablilities.

The Guarantee (USA, Jesse Epstein, 10 min.) - Through animated drawings, a man tells how he considered plastic surgery for his ballet career.

Martin Thomas (UK/Wales, Dylan Wyn Thomas, 31 min.) - The sometimes painful yet ultimately joyous journey of one man’s quest to stop his stammer.

iW: Arts Engine Celebrates 10 Years

Ten years can either be a blip or an eternity depending on your perspective. The year 1997 saw President Bill Clinton inaugurated for his second term, James Cameron’s “Titantic” was the top movie and a book about a young wizard named Harry Potter first hit shelves. It was before the Internet stock bust and “information superhighway” was still a promise. The world of documentary in the U.S. was one of foundation funding, public television broadcast and educational distribution with precious few docs breaking into any kind of commercial success. It was in that entrenched world that then-new filmmakers Katy Chevigny and Julia Pimsleur felt like they had little opportunity. Read the article & catch screenings of Arts Engine productions at The Paley Center in NYC this weekend>>

Matt to Manhattan

Annie Sundberg & Matt Dentler @ SXSW 07She’s tall and thin, that Manhattan, but she can be cruel. In the winter, the winds whip through the spaces between the tall buildings that block out the sun, leaving only slivers of light to melt the snow. The summer air can be stifling, and filth and poverty are lurking on every corner. But it is also the lights of Times Square and hordes of people flowing like rivers as they move from place to place. Time can be suspended on a beautiful day, hanging out in the empty fountain at Washington Square or along a ruddy lake in Central Park. There are fine stores, and rooftop parties and movies. My favorite thing about New York is the people–from long time friends to the new folks you meet on any given night out and about. To this, goes Matt Dentler. As I’ve heard several times this week, his star is on the rise and indeed, he is leaving and Austin to join the throngs of . I’m sad to hear the news but I’ll grin and bear it, like so many others here in Austin, as he has been unfailingly supportive to me. I’d like to wish Matt bon voyage and all luck and happiness in his new endeavors.

A friend told me when I moved back to the New York area from my stint in DC, to let New York take me by the hand and lead me. I found it to be helpful advice. If you feel like you are swimming upstream, take a deep breath and let the city be your guide.

Billy the Kid Opens Today in NYC

I hadn’t really planned on posting about the opening of Billy the Kid, though I love the film, I had posted about it a lot. But Karina Longworth over at Spout offers a perceptive overview of the current state of things, and thus my post:

Coming at similar themes from different corners, assaulting New York audiences on the same day, Juno and uncommonly and uncannily illustrate the industry’s current, massive split between art and commerce. In this climate, a servicable teen sex com like Juno can show up in September and, with corporate marketing budget in hand leapfrog over a years worth of comers to become, in the day before its release, an all-but-certain sure thing at the Oscars and at the box office. Meanwhile, a film like , which in one fell swoop all but changes the game of real teen representation, works the circuit for nine months collecting accolades, misses out on a much-needed Oscar boost and is now–like any true indie in this market–relying on first weekend gross to shape its distribution future. If you’re in New York and can only see one film over the next days, I promise you–Juno isn’t going anywhere. Billy needs you more.

I’m not sure many people go see films because the film needs them so I’d add that Billy the Kid is a good movie. Believe me, there is no guarantee that just because a film comes out of Hollywood (or in Juno’s case Indiewood - Fox Searchlight Pictures), that it will be good. Why not take a chance on something else? You might like it.