New Media
Can we start criticizing Google yet?
I have to admit to still being in love with Google, for the most part. Gmail and Maps are staples of my life. But Search is starting to piss me off. Today, I need to find some web icons for email, the web, etc. so I type it in to Google. What do I get back? A bunch of spammy sites trying to download spyware (if I had a PC, I would have been worried about that). Anyways, eventually I found some usable icons but I wasn’t totally happy with them and I’m thinking I might need to find something better when I have more time to search. Sigh. That was the feeling we had before Google –when it came along, it helped us find what we were looking for quickly and easily on the net.
A Geek’s Guide to SXSW Film
TFI’s Resources
Don’t worry, I don’t expect the same kind of shock that I’m sure is reverberating around the indie film world this morning with the announcements that Peter Scarlet is leaving the Tribeca Film Festival, but I am leaving my post as blogger-in-chief of Resources. I started the project a little over 2 years ago now and have been feeling like I did what I set out to do, and I don’t have the time or inclination to take it in a new direction. So, expect some new blood there soon, and in the meantime, my au revoir post:
It’s with mixed feelings that I tell you this will be my last post here at Resources for the time being. I had a great time doing this blog. Reading other people’s thoughts and ideas and putting my own spin on it, alerting folks to new grants, programs and studies they may not have heard of, and on occasion, thinking about the art of filmmaking, are all pursuits I enjoy. But it was also a frustrating experience because talking about policy and technology issues to filmmakers is a little like banging one’s head against a wall. It was Ted Hope’s rant about NY film credits that reminded me of my frustration and why closing my chapter on this blog has been bitter sweet. Read the rest>>
Thanks to all who supported my endeavor there, and especially Brian Newman for giving me the platform to do something I love to do!
Crawford on Hulu
Festival fave Crawford by David Modigliani premieres online today at Hulu. You can watch the whole film with brief commercials here. Nice.
Link Round-Up: 1 Year in Austin!
For some reason, I’ve taken to naming my link round-ups with whatever is going on in my life. Sometimes it means something but today it doesn’t. Just thought I’d share
Here’s what is cool from my inbox:
- The Holy Modal Rounders: Bound to Lose is now available on DVD. If you haven’t seen it, do. It’s about a band of quirky musicians who seem to have learned a lot about life in their decades of playing together.
- This week on P.O.V., a very important film by a wonderful filmmaker, Roger Weisberg’s Critical Condition. “Critical Condition puts a human face on the nation’s growing health care crisis by capturing the harrowing struggles of four critically ill Americans who discover that being uninsured can cost them their jobs, health, home, savings, and even their lives.”
- Byron Hurt, the maker of the wonderful Beyond Beats and Rhymes, is working on a new project about black masculinity. In anticipation of the release of his new short called Barack & Curtis, a comparison of two well-known black men (Curtis is Curtis Jackson aka 50 Cent, and I presume you know who Barack is?), Hurt has been posting clips of material that didn’t make it into the short as a lead-up. Good sh*t!
- I like weird stuff like this: “V2 Cinema presents the short documentary feature BACK TO ROOM 666 (aka DE VOLTA AO QUARTO 666), starring director Wim Wenders, on www.v2cinema.com. Directed by Gustavo Spolidoro, the movie updates the scenary of Wenders’ Room 666 (1982), now with the German filmmaker as the interviewee. The video is the third of five shorts from online series Boundaries of Thought: THINK TANK(AKA Fronteiras do Pensamento: ENSAIOS VISUAIS).”
- My friends Robert and Almudena (pictured above) won an Emmy! Big hugs and congrats to you both on such a fine job. It is well-deserved. If you haven’t seen Made in L.A., now is the time.
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