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Agnes Varnum is a freelance writer, film programmer and communications manager for the Austin Film Society. She is the primary contributor to doc it out and Tribeca Film Institute's Resources.

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Visible Evidence

I did an independent study in documentary film as an undergraduate, and my professor allowed me to choose my textbook. I chose Collecting Visible Evidence edited by Jane Gaines and Michael Renov. Well, neither my professor nor I were quite sure what to do with that book. The essays are dense, to say the least, and unfortunately I haven’t yet made it to a Visible Evidence conference to see if an in-person interaction with the folks who write these essays would prove more fruitful. But for theorizing documentary, this is were its at.

I just read via H-Film that Visible Evidence is launching a listserv that “aims to continue to grow the community by providing a forum on documentary images, sounds, and situations in film, television, on the internet, in journals, in museums, in galleries, and on billboards (to name just a few).” I’m not sure if anyone who reads this blog keeps their eye on the academic film community, but there is a lot of great stuff going on at conferences and in film writing, outside of festivals and the larger marketplace. If you wish to join the listserv, go here for directions.

There Are 2 Responses So Far. »

  1. Ha! I’ve actually read a few chapters in the above mentioned book. Dense indeed, but so it the high culture of Deleuze…

  2. Renov has done quite a bit of work that is somewhat more accessible. You might check out The Subject of Documentary. The essays are far more varied but have a primary focus on subjectivity in documentary. My experiences with Visible Evidence have been quite good. I attended their annual conference two years ago in Montreal and may eventually get a publication out of it (an article on Gunner Palace and Occupation Dreamland).