Trifecta: The Great Debacle
Over the past couple of years, I’ve been watching movies professionally. It sounds odd, but when I watch upwards of 300-400 films each year (not including my Netflix and TV, which yes, I’m also addicted to), in addition to the fact that doing that is largely how I make my living, it’s safe to call me a pro viewer. Documentary comprises the majority of projects I watch, and following from that, I’ve experienced a lot of perspectives on a variety of global issues. I’d agree with anyone who wanted to argue that documentary is subjective, BUT when I’ve seen several films that deal with the same issue or perhaps different sides of a multi-faceted issue, I have discovered a more 3-dimensional view.
I’ve been toying with this idea for a while, and this is my first go at it, so excuse me if it’s rough around the edges. A “trifecta” is a bet, usually in horseracing, on which 3 will come in first. Here, it is 3 films that I’m recommending together as different facets of an issue that have given me a new way to look at or think about something happening in our world. Since they are usually docs, I can’t promise availability as that is spotty, but since most folks reading this go to festivals and that is the most likely venue, I’m going to try to make this a regular feature here.
I don’t really want to review the films entirely, preferring to give a little synopsis. If my dream came true, after viewing all three films together, we could have a discussion about the issues and what, if any, new ideas or perspectives we have come away with. We’ll see how it goes.
The Great Debacle
The world’s supply of oil is on the decline. The geopolitics of oil now is how to make the most money out of what remains, but the unasked questions revolve around how to meet the world’s energy needs when oil is no longer our primary source, and the legacy of oil and other cheap energy now and down the road. What are the coporations and governments, whose economics drive this trajectory, doing now and what will they do in the future? How does the public fit in, or do we? What are the ramifications of actions in which we are all complicit? These are some of the questions that these films brought into sharp focus for me when taken together.
A Crude Awakening: The Oil Crash
By Basil Gelpke and Ray McCormack
Self-proclaimed conservative Basil Gelpke and his co-director reveal the slow yet unmistakable downward spiral of oil. Conservatives and oil executives freely share what is common knowledge in those circles in this uncompromising and balanced look at the reality that the general public has yet to accept.
Who Killed the Electric Car?
By Chris Paine
While Martin Sheen’s narration felt a little hokey at times, there is no denying this case study of what happens when the public tries to take control of its destiny. Corrupt politicians, corporate greed and indifference, whining liberals. Taken alone, this story might simply be a sad tale; taken with these other films, perhaps there is a larger windown from which to view this specific case study.
An Inconvenient Truth
By Davis Guggenheim
A tipping point indeed. Yes, global warming is upon us and this film, taken through the lens of one who has seen the other two, takes on new significance.
Comment by Chuck on 1 August 2006:
You could add The End of Suburbia to this list, although I think that doc has pretty much lost whatever steam it had. I *think* the electric car doc is supposed to make it to Fayetteville. The previews look great. Hadn’t even heard about Crude Awakening.
Comment by Bob on 6 August 2006:
This is a little slow in posting because my thought processes were a little slow, mulling more than racing through, as it were. Anyway, I *really like* the idea of the “TriFecta”. Watch any three indie docs on the same general topic and you’ll end up better informed than, say, Faux News (as some bloggers refer to it).
We’re organizing “The Katrina Experience”, which is a collection of 8 docs in a 4 DVD box set for libraries only. These films come out of the Full Frame Festival, and were personally selected for the festival by Nancy Buirski, the founder and artistic director of the festival.
I want to make those points because this is not a grab bag. And these are not amateur filmmakers on a “post your own” kind of outing.
So my thought is that there really is some closer to “the real thing” that comes out of viewing a collection like this. I watched three of these films in a row the other night, and I was blow away by the rawness of the wounds people had suffered. I thought that I had understood something different about what Katrina means or meant.
I think you have a good point about the “trifecta”!
Comment by agnes on 6 August 2006:
Thanks Bob. Your comment reminds me about something I want to steer clear of with this feature - series of films that simply cut a wound deeper. “Trifecta” resembles a festival sidebar, but my experience with sidebars is that there isn’t necessarily attention paid to different approaches to subjects. For instance, films on music and art are typical sidebars.
I’ve been thinking about an immigration trifecta but of the several films I’ve seen lately, they take a similar position on the subject and fail to provide the multi-dimensional view I’m looking for.
I didn’t get to Full Frame, so I haven’t seen the Katrina films screened there, though I have seen a lot of projects on the subject. I haven’t yet seen projects that go beyond the heart-wrench of loss and destruction. There is a lot of fodder for the documentary mill with that subject. I hope that your viewing gave you insight into that tragedy.
I welcome other’s trifectas - if anyone has a small selection of films to recommend. I’m happy to post and try to watch them myself!
Comment by agnes on 14 August 2006:
Here is a link to Indiepix Katrina collection - it is for educational institutions only but since I know some professors occasion this blog, I’m posting.
Katrina Experience